Anna Julia Cooper: Womanhood

Contributed by:
Steve
This booklet depicts the biography of Anna Julia Cooper was a Christian woman of high standards, principles, and moral caliber, but seemed to have lived an errorless existence to the point of being faultless, and her experiences with racism and sexism.
1. Anna Julia
Cooper
Only the BLACK WOMAN can say, ‘when and
where I enter, in the quiet, undisputed dignity
of my womanhood, without violence and with-

out suing or special patronage, then and there
the whole Negro race enters with me.’
— “Womanhood: A Vital Element in the
Regeneration and Progress of a Race”
Born a slave late enough in the course of the antebellum era not to
have to endure the scourge of that cursed institution for life, Anna Julia
Cooper believed that intelligent women’s voices brought balance to
the struggle for human rights. She manifested her superior intellect and
persuasive oratory ability primarily as a Washington D.C. educator, but
also worked as a teacher of mathematics, Greek, and Latin at St. Augus-
tine’s Normal and Collegiate Institute in Raleigh, North Carolina (1873- Quick Facts
81 and 1885-87); teacher of ancient and modern languages, literature,
mathematics, and language department head at Wilberforce University * 1858-1964
in Xenia, Ohio (1884-85); and teacher of languages on a college level * African-Amer-
at Lincoln Institute in Jefferson City, Missouri (1906-10). As an intel- ican activist and
lectual, embryonic feminist/womanist theorist and critic, master teacher, educator
and philosopher, Cooper displayed consistent erudition and exactness. * Born a slave,
A Christian woman of high standards, principles, and moral caliber she and earned
seemed to have lived an errorless existence to the point of being fault- her doctoral
less. Cooper’s experiences with racism and sexism were most likely the degree at the
impetus that stimulated her to challenge prevailing patriarchal exclu- Sorbonne
sionary practices. She referenced herself as “Black” at a time when the
nineteenth century coinage for African Americans was “Negro.”
1
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
2. Anna Julia
Cooper
Biography continued
Racism scarred her as an activist in the North Carolina Teachers Association when she sought salaries
for African American teachers that were equitable to White teachers’ salaries (1886). Further humilia-
tion of a racist nature occurred in 1892 when railroad personnel ejected her from the waiting room—
first class ticket in hand—in her hometown of Raleigh, North Carolina because of color discrimina-
tion. Sexism bruised her emotionally as a student at St. Augustine’s Normal and Collegiate Institute
(1868-73) when she protested against the differences between boys’ and girls’ curricula and the avail-
ability of financial assistance for boys but no matching funds for girls. School officials later admitted
her to the Greek course initially set up for men. Cooper came face-to-face with sexism again when
she entered Oberlin College in Oberlin, Ohio in 1881 and discovered that it had a “Ladies” course, an
experiment in educational access that was inferior to the classical course offered to men. This practice
prevailed although Oberlin faculty had a reputation of being progressive thinkers, and the college
was among the first to open its doors to students of African heritage. Nevertheless, university officials
returned to the dominant thought of the nation and upheld the norm of racism, segregating dormito-
ries and making admission of qualified African Americans difficult, if not impossible. Ironically, at St.
Augustine’s Normal and Collegiate Institute Cooper met and married in 1877 the ministerial candi-
date—the second African American in North Carolina in 1879 to be ordained an Episcopal priest—
and professor of Greek, George A. Christopher Cooper of Nassau, Bahamas, British West Indies, only
to lose him to death September 27, 1879. As a widow Cooper was free to pursue greater educational
opportunities.
After entering St. Augustine’s Normal and Collegiate Institute for emancipated African Americans on
scholarship in 1868 as a nine and a half-year-old precocious youngster, Cooper began in 1869 at age
eleven to tutor students older than she, evidence of her advanced academic ability at a tender age and
indication of her future career path. The school’s mission was to train future teachers, and Cooper’s
destiny was established. As a twenty-three-year-old Oberlin College entering freshman in 1881 Coo-
per selected the more prestigious classical “Gentleman’s Course” of study, earning the AB (1884) and
MA (1887) degrees, along with Mary Church Terrell (1863-1954) and Ida Gibbs Hunt (1862-1957).
Oberlin administrators awarded Cooper the advanced degree based on her college teaching ability.
2
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
3. Anna Julia
Cooper
Biography continued
In her career as a public school educator at the Washington High School in Washington D.C. Cooper
worked first as a mathematics and science teacher (1887-1902). She then became a Latin teacher and prin-
cipal of the distinguished M Street High School, established in 1891, formerly the Preparatory High School
for Colored Youth. Cooper was the second woman—the first was Emma J. Hutchins—to serve the institu-
tion in this male-dominated capacity—(1902-06). This institution produced some of the greatest African
American professionals of the late nineteenth and twentieth centuries. Not far from the old M Street High
School location a larger edifice on a new site to serve a greater population was completed in 1916 (razed in
1976) and renamed Paul Laurence Dunbar High School. Cooper was an influential force in the new name
of the M Street High School, as well as lyrical composer of its Alma Mater (1924), which was set to music
by Mary L. Europe, her former student turned colleague.
However, for Cooper the leadership role of principal became daunt, overshadowed with disdain by some
school officials who abhorred Cooper’s managerial style and record of success rather than the lack of it.
Cooper’s White supervisor Perry Hughes urged the school board to force Cooper’s resignation and relieve
her of her position following controversial statements printed in the Washington Post regarding pending
restrictions of classical education to African Americans, a controversy precipitated by a speech delivered
at the school in 1902 by W. E. B. Du Bois (1868-1963), author of The Souls of Black Folk (1903) and the
twentieth century’s most esteemed African American intellectual and Atlanta University professor at the
time. Hughes objected to Cooper’s college preparatory course design and her determination to make Afri-
can American students competitive with Whites.
A classical course of study gave African American students an advantage to compete for scholarships to
prestigious universities, including Ivy League institutions, but business courses were offered at the school
as well. Moreover, the academic performances of M Street High School students created a perplexing
problem for many Whites regarding stereotypical notions of intellectual inferiority among African Ameri-
cans. The students proved the stereotype untrue. Hughes was a proponent of Up from Slavery (1901) author
Booker T. Washington’s (1856-1915) educational philosophy to instruct African Americans in the industrial
and vocational trades.
3
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
4. Anna Julia
Cooper
Biography continued
More accurately, racist school board members frowned on women in leadership roles and married
or widowed professional women guiding youth. An independent thinker and the fortitude to stay the
course, Cooper could not be swayed from her vision of superior education and the mastery of high
academic content for African American youths. She was also a proponent of higher education for
women and compassionate about educational opportunities for the children of former slaves. Al-
though she had the support of the faculty, students, and citizenry, she paid the highest penalty of dis-
missal. Upon the appointment of a new superintendent Cooper returned to the M Street High School/
Dunbar High School in 1910 as a Latin teacher and retired from the institution in 1930.
In the summer of 1911 Cooper enrolled at à la Guilde Internationale à Paris, returning in the summers
of 1912 and 1913 to study the history of French civilization with Professor Paul Privat Deschanel,
French literature, and linguistics, earning a Certificate of Honorable Mention. Columbia University in
New York City accepted her as a doctoral candidate July 3, 1914 based on her academic achievement
in France and certified her language proficiency in French, Greek, and Latin. She began a doctoral
thesis in French but was unable to meet Columbia’s mandatory one-year residency rule. In the sum-
mer of 1924, the decade of the 1920s considered the height of the Harlem Renaissance, Cooper trans-
ferred her Columbia equivalency status credits to Université Paris—Sorbonne where she completed
her doctoral requirements at the age of sixty-five, becoming the fourth African American woman
affiliated with the M Street High School/Dunbar High School to earn a PhD. The others were Georgi-
ana Rose Simpson, Eva Beatrice Dykes, and Sadie Tanner Mossell Alexander. She also was the fourth
African American woman in the United States to earn a PhD. Cooper was also the first woman and
the first African American woman resident of Washington D.C. to earn a PhD from the Sorbonne, as
well as the first African American woman born a slave to do a doctoral defense at the Sorbonne.
4
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
5. Anna Julia
Cooper
Biography continued
In keeping with her standard as the consummate educator, Cooper advocated extension education for
employed adults. She devoted long uncompensated hours to Frelinghuysen University in Washing-
ton D.C. , founded in 1906 by Dr. Jesse Lawson and his wife Rosetta E. Lawson, serving as one of
its teachers and its second president (1930-41), as well as relocating the school to her home at 201
T Street, NW in the LeDroit Park community to hold classes when university authorities faced evic-
tion from the main campus building. Today Cooper’s home is part of the African American Heritage
Trail and the Historical Society of Washington D.C. Struggling economically through the depression
and losing its charter in 1937, the financially strapped establishment became Frelinghuysen Group of
Schools for Employed Colored Persons in 1940, and Cooper served as registrar (1940-50), continuing
her loyal commitment to the edification of African Americans even as an elderly educator.
Cooper was a tireless community, political, and social activist. She was one of three African Ameri-
can teachers (Parker Bailey and Ella D. Barrier) who participated in a Toronto, Canada cultural
exchange program arranged by the Bethel Literary and Historical Association (1890s). She also
addressed the Convocation of Black Episcopal Ministers in Washington D.C. (1886) and the Convo-
cation of Clergy of the Protestant Episcopal Church the same year on the topic of “Womanhood: A
Vital Element in the Regeneration and Progress of a Race”; read her essay “The Higher Education of
Women” at the American Conference of Educators in Washington D.C. (1890); shared the podium
with Booker T. Washington at the Hampton Conference (1892)in Virginia; was one of three women
(Fannie Jackson Coppin and Fannie Barrier Williams) to explicate poignantly at the Women’s Con-
gress in Chicago which coincided with the World’s Columbian Exposition (1893); was one of three
women (Helen A. Cook and Josephine St. Pierre Ruffin) to address the National Conference of Col-
ored Women (1895) in Boston, spoke at the National Federation of Afro-American Women (1896) in
Washington D.C. ; was one of two women (Anna Jones) to represent African American views at the
Pan-African Conference in London (1900); and lectured at the Biennial Session of Friends’ General
Conference in Asbury Park, New Jersey (1902).
5
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
6. Anna Julia
Cooper
Biography continued
Moreover, she helped to organize the Colored Woman’s League (1892), founded the Colored Wom-
en’s Young Women’s Christian Association — Phyllis Wheatley YWCA — (1904) and its chapter of
Camp Fire Girls (1912), and was one of the founders of the social services organization The Colored
Settlement House (1905). She was women’s editor of The Southland magazine (1890), possibly the
first African American magazine in the United States devoted to keeping readers informed of issues
and progress. Impressively, Cooper was the lone female invited to membership in the elite American
Negro Academy, an African American intelligentsia organization founded by Rev. Alexander Crum-
mell March 5, 1897. Officials of the organization included W. E. B. Du Bois (1868-1963), president
and Rev. Francis J. Grimké, treasurer. Members included the father of Black History Week/Month
Carter G. Woodson and co-founder of the Negro Society for Historical Research Arthur A. Schom-
burg (1874-1938) whose collection of Africana documents would culminate into the New York Public
Library’s Schomburg Center for Research in Black Culture.
Cooper was born Annie Julia — named for the woman for whom her mother was leased out to work
as a nanny — August 10th to Hannah Stanley Haywood (1817-99), a slave woman with minimal
reading and writing skills. She paid homage to her mother by naming a division of Frelinghuysen
University the Hannah Stanley Opportunity School, designed for the purpose of educating adults with
limited opportunity for advanced schooling. Her father was George Washington Haywood, brother
of her mother’s owner Dr. Fabius J. Haywood, Sr. , a wealthy entrepreneur who amassed a fortune
through family enterprises involving the acquisition of land, assumption of loans and promissory
notes, leases and rentals, merchandising, partnerships, pharmaceuticals, and slaves. Her siblings were
musician and bandleader Rufus Haywood (1836?-92) and Spanish-American War veteran Andrew
Jackson Haywood (1848-1918). Andrew married Jane Henderson McCraken in 1867. They adopted
a son, John R. Haywood who married Margaret Hinton whose untimely death led Cooper to assume
guardianship of their children—Regia, John, Andrew, Marion, and Annie—at a time when she pur-
sued higher education and assumed a mortgage to house her burgeoning family (1915). Their ages
ranged from six months to twelve years. The infant Annie, her namesake and future heir, died from
pneumonia at the youthful age of twenty-four, a devastating blow to Cooper and her hope of a succes-
sor. She was also foster mother to Lula Love Lawson, an 1890 graduate of the M Street High School,
and her brother John, orphaned by the death of their parents. Cooper’s maternal grandfather, the slave
Jacob Stanley, was skilled in the building trades and was instrumental in the planning and construc-
tion of the North Carolina State Capitol.
6
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
7. Anna Julia
Cooper
Biography continued
In 1925 under the guidance of Professor Alexander (French history and language) of Columbia
University Cooper published her Columbia University thesis, Le Pélerinage de Charlemagne: Voy-
age à Jérusalem et à Constantinople (The Pilgrimmage of Charlemagne: Journey to Jerusalem and
to Constantinople), a translation into modern French of an eleventh-century French epic that became
a standard classroom text. Her Université Paris — Sorbonne dissertation, “L’ attitude de la France
à l’égard de l’esclavage pendant la Révolution” (The Attitude of France towards Slavery during the
Revolution), also written completely in French, was the culmination of her formal education lead-
ing to the doctorate. Cooper’s French instructors at the Sorbonne were sociology professor Célestin
Bouglé, political history professor Charles Seignobos, and literature and American civilization pro-
fessor Charles Cestre. The French Embassy in the United States was instrumental in Cooper’s receiv-
ing her diploma. District Commissioner William Tindall, the French ambassador to the United States,
the American ambassador to France Emile Daeschner, and a representative from Columbia University
presented the PhD diploma to her at Howard University’s Rankin Chapel on December 29, 1925 in
a ceremony hosted by Xi Omega chapter of Alpha Kappa Alpha sorority and Dr. Alain Locke (1886-
1954), Howard University philosophy professor, first African American Rhodes scholar, articulator of
the New Negro Movement which became the Harlem Renaissance, and speaker for the occasion.
Cooper’s dissertation is an inquiry into French president Raymond Poincare’s (1860-1934) attitude
regarding racial equality. She also examines the 1896 French-Japanese Treaty and French natural-
ization laws as they pertain to Japanese, Hindu, and Black people. The Society of Black Friends is
explored. Cooper also analyzes a speech given by Alphonse de Lamartine (1790-1869), French poet
and politician, and a speech delivered during the French revolution at the National Assembly. Cooper
discusses, too, a March 1842 banquet regarding slavery abolishment.
7
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
8. Anna Julia
Cooper
Biography continued
Over the span of a few years the flame of Cooper’s early feminist/womanist thinking exploded into a
full fire. The result is the seminal publication A Voice from the South, By a Black Woman of the South
(1892), a compilation of various speeches and lectures that she delivered on public platforms. The
book’s recurrent themes are education and feminism. Cooper espouses a non-confrontational approach
to issues of race, class, and gender and the domination and oppression of women by both Black and
White men and encourages women to expose and attack injustice wherever it exists. She gears the es-
says to a learned audience, not to the emancipated slaves who were mostly illiterate, though she cham-
pions their cause. The book is for the teachers of this deprived population who have the responsibility
and the authority to introduce new ideas and challenge minds, especially women in the profession, all
women in general and African American women in particular. Her genre is the formal essay. She uses it
to explain her philosophical stance, combining facts, theory, and sincere purpose. Her essays are clas-
sical in form, structure, and style, but they are also autobiographical and introspective narrative, incor-
porating her perspectives of life’s experiences. She uses the language of Christian doctrine to examine,
support, and specify her ideas, quoting relative scriptural texts that illustrate her views. She considers
scriptural references manna for living the right kind of life. She also uses poetry within her essays to
emphasize important points. Her essays are discussions of political topics to inspire change by appealing
to the consciences of reasonable readers who may be empowered to act. The book is indicative of the
cultural value of the essay as a political tool for nineteenth-century African American women.
Cooper feels that the “woman’s era” (1890s) when women activate their voices in the National Associa-
tion of Colored Women’s Clubs and woman suffrage is an excellent time to “examine the feminine half
of the world’s truth.” Her book contains two sections of four essays each. The first section, “Soprano
Obligato,” focuses on women’s issues, nineteenth century women facing the new era of the twentieth
century in which they will have vital impact. The next section, “Tutti Ad Libitum,” analyzes the race
problem and its negative effects in American society. Both sections address the human condition and
how best to improve the status of those relegated to the lowly places in life. In Cooper’s opinion Amer-
ica failed to provide mechanisms of uplift to all its citizens, for any society that dooms any of its mem-
bers to a permanent low caste will never achieve the fullness of its possibilities. The period in which
Cooper writes, the 1890s, is an era in which women, African American and White, tear down barriers
that prohibited them from becoming productive and meaningful contributors to society.
8
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
9. Anna Julia
Cooper
Biography continued
However, society at this time is more receptive to White women although mass protests are the chan-
nels used to gain them this tolerance. The 1890s also mark a backlash in African American progress,
and it is a climate that tolerates an increase in lynching. Cooper feels that the time is suitable for the
“voiceless Black Woman of America” to explain in detail America’s problems, and the relevance of
the time in which African Americans are twenty-seven years out of chattel slavery.
The first essay in the book, “Womanhood a Vital Element in the Regeneration and Progress of a
Race,” identifies two sources responsible for perpetuating images of women, the Feudal System and
Christianity. The former initiated honor and respect and the latter reverence, but, according to Cooper,
both are unrealized. Cooper believes that women’s past is not their doing, but the future is theirs to
control if they reject ignorance and accept higher goals, i.e. , acquiring higher education. She warns
that intellectual weaknesses in the nineteenth century are attributable to patriarchs of the institution
of slavery but a century later will be used as proof of innate inferiority. She recapitulates some of the
myths surrounding women and intelligence in “The Higher Education of Women,” which includes a
section that addresses “The Higher Education of Colored Women.” She maintains that higher educa-
tion does not reduce women’s eligibility for wifehood or motherhood or nullify their domestic ability;
men and women can approach matrimony as equals educationally and economically, for their higher
knowledge qualifies them even more in the managing of households and in the training of children.
For African American women she espouses intellectualism with the balance of Christian virtues,
indicating that a strong moral fiber must accompany in-depth knowledge of arts, sciences, business,
and social work. The essay “Woman Versus the Indian” highlights dedication to the survival and
wholeness of all people, but its title is misleading. She posits a theory that all avenues of social life
are under the auspices of women, e.g. , a national standard of courtesy—“like mistress, like nation.”
She believes that women are the moral conscience of the nation, practitioners of good manners and
the Golden Rule, which if women apply universally would shake the foundations of racism and the
stronghold that men have on society. “The Status of Woman in America” pays homage to women’s
strength and to the celebration held in Chicago of the “fourth centenary” of the continent’s discovery.
Since the nation’s founding Cooper believes that women have been in training to assume leadership
positions, to effect change in the twentieth century, and to recognize the contributions of African
American women to America.
9
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
10. Anna Julia
Cooper
Biography continued
“Has America a Race Problem; If So, How Can It Best Be Solved?” is the lead essay of the second
section. Cooper elaborates on issues of race and class and identifies two kinds of peace, the kind that
comes from suppression and the kind that evolves from adjustment. Her preference is the latter, that
compromise, reciprocity, and tolerance are the only survival tools of the nation. Cooper assumes the
role of literary and social critic in “One Phase of American Literature.” Her commentary centers on
economic self-determination, reparations for African Americans, and love and appreciation for the
folk, the “silent factor,” the producers of true American literature (folklore and folk songs). “What
Are We Worth?” examines the economic ramifications that form African American civilization since
Emancipation. She writes that the world benefits from inventions by African Americans but is un-
aware of the role played by them in making lives easier. She pays tribute to individuals whose contri-
butions and inventions improved the lot of humanity, calling this litany of names a “noble army” and
“roll of honor.” In “The Gain from a Belief” Cooper has a spiritual focus and explores absolute and
eternal truth, knowledge, and virtue, necessary in the building of faith. Her view is that people need
something in which to believe, and “faith means treating the truth as true.” She believes that faith
benefits the newly freed African American nation to persevere and drum up the gumption to get to the
next century and beyond.
Cooper delivered many of her lectures in African American churches and perhaps for that reason the
essays have a Christian emphasis. She also introduced her ideas before learned societies and com-
munity organizations. She uses the lecture circuit as a political platform to postulate her theories of
educational access and social action and responsibility. Cooper’s critical expressions are idealistic,
philosophical, and practical. Her theories are not just ideas of the imagination but something more
fundamental, the incorporation of consciousness into what might be perceived as thinking in the
abstract. She considers each and every thought and concludes that cognizance and consciousness are
inseparable. The experiences of the new African American nation do not occur independently of what
goes on in the mind. She believes if individuals can think things, then people can achieve things.
10
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.
11. Anna Julia
Cooper
Biography continued
Her theories differ from traditional Eurocentric theories because they are not merely academic exer-
cises to be discussed in academic circles. They are aesthetic and practical; they are for the masses, not
just the cultural elite, although she stresses that an educated African American class with the capacity
to lead must implement the theories. Cooper basically states tactics of survival. She encourages peo-
ple to do as nature does, take examples from nature’s book of fair play. Hers are theories in conflict
resolution, a prototype which stresses never to give up the struggle against misconceptions regarding
race, class, gender, politics, education, and economics. She remained an academic motivator until her
death from cardiac arrest at the age of 105, concerned with the educational development of women
and the underrepresented. Cooper felt that her work in the progression of higher education of women
was unfinished. She ran out of time, but she left a powerful legacy.
11
© 2009 Regents of the University of Minnesota. All rights reserved.
The University of Minnesota is an equal opportunity educator and employer.